The promotion accompanying this record rants on in huge detail of how the internet is destroying the mix tape; that track streaming and quick availability cheapens the ‘art’. But what they forget is that the mix tape’s purpose is not to glorify the DJ but to showcase the bands.
The Temporary Secretary Compilation mixed by Dixon is like Warp Records transported back to happy 70’s disco and the CD cover cloaks it in sparse and functional Factory Records chic. As mixes go, it’s pretty stylish.
The flow is very much like a dream, of a club night long ago. Tracks spill over into each other, blending seamlessly together like oil rainbows, forming a single, extended event. It sets its aim for the subconscious; there are moments that spark your attention, but for the most part the mix is best enjoyed while your mind is off doing something else. Given its chilled pace, Dixon makes no qualms about this.
As you’d expect from any compilation, there are better features than others, unless that compilation happens to be ‘Rn’B anthems 2009’ or something, in which case it’ll all be shit. Dixon’s inclusion of international artists displays an excellent ear and ranges from the beautiful, pulsing opener ‘Ongou’ by Icasol, the siren calls of Fever Ray from Sweden, the Netherlands stoner rock trio The Machine and ending with Tokyo Black Star, a union of NY and Tokyo electronics. Under the professional hand of Dixon, it welds together for a timeless, placeless feel.
Ideally, a good mix tape is about the shared love of music and Temporary Secretary Compilation unearths a few artists worth investigating further. The record balances Dixon’s “distinct mark” with a sense of curiosity and discovery. Without the later, a mix tape is merely two dimensional and no amount of promotional bullshitting will elevate a DJ’s position. As always: the music comes first and egos come second.
(© Copyright 2009 Brendan Morgan)
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