We all are aware of Pink Floyd's ability to weave powerful, forward-thinking rock. We know too well. We hear it over and over again, on every Rockumentary, in every 100 Greatest Albums list. The Dark Side of the Moon continually gets voted as one of the most influential albums ever produced. We know, we all bloody know. But, less discussed, is a sub cultural myth that attaches itself to the album. It sounds, at first, pretty nutty: pause a copy of it at the beginning in a CD player and, playing both at the same time, play Wizard of Oz on mute. Jesus Christ, this is what happens when you leave a group of wired students alone for an evening. Lies and bullshit you might say, but I tried it, and for a good half hour into the film, the syncronisation is astonishingly accurate. If you were ever looking for a modern legend, than this is it. No doubt, wispers floated around by way of the typically convincing see-it-to-believe-ploy and it roped me in. It drew me in as an ice-cream truck draws in sugar-junky children.
Similar is the overzealous interest behind conspiracy theories. I spent an evening watching the JFK assasination over and over on youtube to develop my own opinion (we'll meet Bill Hicks later at the docks). The 9/11 conspiracy documentary Loose Change still sits on my hard drive as well as my mind. The quest for truth can sometimes send you beyond basic logic and reason and the internet is more than happy to oblige, acting like a shitty little sewing circle in its desparate need to tell you what's "really going on".
But back to the case in hand. 2001: A Space Oddessy also presents another significant moment of timing, but of a different nature. Around the time of its release in 1968, reports that at the moment of the famous 'Star Gate' scene, nearing the thought provoking close of the film, an average dose of LSD kicks in at the very same moment when the character Dave begins his enlightening high-speed adventure. The zooming, colourful textures of the ensuing minutes suggests a strong psychadelic influence. It went down pretty well with the counterculture of its time, and I'm guessing it would have sent numurous kids into unavoidable paranoia. But then again, the weird is what you're after when you're tripping.
What both The Dark Side of Oz and The Acid Oddessy share in common is that these syncronisations are accidental, judging at least with what we know of the artists or directors intentions. Both are a part of the same intriguing phenomenon where two seperate artforms, one of sonic and one of film, mysteriosly combine. Is this the only occurance of its kind, or are there other couplings yet to be discovered? Has the Floyd-Wizard effect randomly struck elsewhere? I was itching to know and set out to see what I could find, only to be somewhat disapointed.
This subject initially appeared to me to be virgin material, ripe for the taking and I lept on it with enthusiastic glee. Books were writing themselves in my head, thesis' built on study and experimentation were coagulating together like rain drops on a window pane. But of course, as always, the internet is two steps ahead (there goes my publishing deal, god damn it) and lo' and behold a website called Syncronicity, dedicated to these pockets of discovery, proudly displays them in full geeky glory. Their archive is eccessively focused on the albums of Pink Floyd (they even have 2001: Space Oddessy coupled with Pink Floyd's Echos which someone kindly created on youtube) but there are a few more unique couplings to try out. The joining of Radiohead's Amnesiac with Dark Crystal is tempting. I'll admit, it's a little obessive this fascination with syncronicity and heavily implies the use of narcotics to aid enjoyment. You only have to scroll down to the bottom of the syncronicity webpage to reveal a mini purple mushroom (see picture), what's being hinted at here is evident. It most certainly comes off as an occupation for the dangerously bored or hazily wasted. Perhaps your brain's got to be crawling up the wall and running laps before the music and visuals seem to synchronise, but maybe not. As informative as the website is in its many suggestions, it doesn't beat an accidental discovery, because when you find one for yourself, it becomes your own. I remember watching Charlie Chaplin's Modern Times muted while playing The Flaming Lip's Yoshimi Battles the Pink Robots a few years ago. A friend of mine would also mute the train journey scene of Spirited Away and drift off to it while listening to The Velvet Underground's beautifully droning Heroin. The idea is to culminate a mood or meditative experience. Obessive? Maybe, but you won't know until you try it, will you?
